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AMBRIDGE, ON RECORD

Thursday 29 October 2026

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Edited from an automatic transcript. Speaker identities are inferred; wording has not been verified against the audio.

The Archers — 2026-10-29

*Edited from an automatic transcript. Speaker identities are inferred; wording has not been verified against the audio.*

Scene 1

George: Morning.

Kira: What are you doing here?

George: Checking you've gone to school.

Kira: I'm just washing up. Mum goes mad if I leave my stuff in the sink.

George: Then I'm going. You'll miss the bus, won't you? You won't get there in time, no?

Kira: I'll be fine.

George: Leave it, George. I can give you a lift. The bus is fine.

Kira: Yeah, it would be if you were going, but you're not, are you?

George: Of course I am.

Kira: Well, I was. I've been looking forward to it. It's science.

George: You've been looking forward to science.

Kira: OK, but I was going.

George: Was, right. I mean, we spent so long in A&E yesterday. I'm really tired. I don't think I'll be able to learn anything. I just keep yawning, see?

George: Yeah, I see. Shouldn't you be at work?

Kira: Yeah, I should.

George: Well, go. Don't worry about me.

Kira: Mum asked me to check on you.

George: What's going on, Kira?

Kira: I'm exhausted. I told you.

George: Because you spent so long in A&E yesterday.

Kira: Exactly.

George: Yeah, when they couldn't find anything the matter with you. Funny that, don't you think?

Kira: Well, it wasn't my idea to go. It was Will's.

George: I think we need another chat, Kira. One skiver to another.

Kira: I'm not a skiver.

George: No, you were so ill you had to go to A&E, and then suddenly you were fine.

Kira: Go to work, George.

George: I'm going to be late anyway. Another half hour won't hurt.

Kira: I'm not going to talk to you.

George: Why not?

Kira: Because I don't want to.

George: Because you know I know.

Kira: No, because I don't want to. I don't have to. You're not going to listen to me anyway.

George: You've made a reminder.

Kira: What if I promise I will listen?

George: Oh, I'm going to my room.

Kira: I'll talk through the door then.

George: What?

Kira: I'll put my music on.

George: I can show it with the best of them, Kira.

Kira: Well?

Scene 2

Martin: All the records?

Rex: Yes, please, Martin. To be on the safe side.

Martin: That's rather a lot, Martin. I don't need printouts. E-copies will be fine.

Rex: I'm putting everything I can together, so if there's trouble, everything will be to hand, and we can head it off at the pass.

Martin: We're going back how far?

Rex: Two years, do you think? All the details of any tree surgeries, any check-ups, follow-ups, all that.

Martin: Do you use multiple service companies?

Rex: A couple. Mostly the Grundys. They're local and very reliable.

Martin: That shouldn't take too long, should it? You concerned about anything in particular?

Rex: Well, apart from a falling tree nearly killing Vince Casey, you mean?

Martin: Sorry. Obviously, that's important. If there's a claim, we'll need to show that BL as landowners and rewilding as tenants are completely in the clear.

Rex: Investigations are still ongoing.

Martin: Yes. Is there a problem? Is there likely to be a claim?

Rex: That's the question. I popped up to the hospital last night to see how Vince was, poor chap.

Martin: And?

Rex: I don't know. He wasn't allowed in. Elizabeth said he wasn't up to visitors, though we're here on the grapevine. He's issuing orders via Freddie, so he's obviously awake and compass-mentous.

Martin: Alan got turned away too, though. So it wasn't just me. I don't know if that means anything. Right. Seems par for the course for our vicar lately, though, wouldn't you say?

Rex: Uh, I wouldn't know.

Martin: So, can I expect all those records by, say, two o'clock? I'd like to have everything collated before the weekend.

Rex: I'll dig out the details.

Martin: And any associated emails, please. Belton braces.

Rex: There.

Scene 3

Kira: Well, I'm not drinking it.

George: It's a mug of tea. I haven't poisoned it.

Kira: You're being horrible.

George: I made you tea.

Kira: Well, it's got too much milk in. You make terrible tea.

George: Keira.

Kira: I'm too tired to go to school, all right? We were in A&E nearly six hours.

George: Because they kept doing tests because they couldn't find anything wrong with you.

Kira: That's not my fault.

George: Do you know the state my dad was in when he got back yesterday?

Kira: Keira.

George: I did have a headache. The cut on my leg was red.

Kira: And you played that for all it was worth, didn't you? See? Horrible.

George: You know what happened to Nick. You're not a kid anymore.

Kira: It wasn't my fault.

George: Dad was scared you'd got sepsis. He was terrified you might die like Nick did because she left it too long. He was a complete wreck last night. It took me and Amber a solid hour to calm him down.

Kira: I'm sorry.

George: It was cruel, Keira.

Kira: I didn't mean it to happen.

George: Right. It wasn't on purpose.

Kira: He got all worried and frantic and I couldn't get out of it. How could I? I didn't want to upset him. I was just trying to get off of school.

George: It was only a catch-up class. Two hours of your life. You couldn't manage that. Why not?

Kira: Stop shouting at me.

George: I'm not shouting. I'm trying to understand.

Kira: Because I'm a waste of space, all right? Is that what you want to hear?

George: Of course I don't. Of course you're not.

Kira: Why couldn't you just go to school?

George: I hate it.

Kira: Yeah, I get that. I hated school too.

George: No, I mean really hate it. Really, really hate it. Oh, I feel sick every time I go through the doors.

Kira: I know you think I'm just bunking off because I can't be bothered. But I can't bear it, George.

George: I really can.

Scene 4

Martin: I don't understand. This isn't a complicated request, Rex.

Rex: I'm just saying there may be a delay. I'm not sure I have all the passwords.

Martin: Of course you will though, surely.

Rex: Yeah, yeah, I'm sure.

Martin: I'm not seeing the problem here. Call her and ask.

Rex: It's not that simple. Text for then. Why does nobody under 50 like using the telephone anymore?

Martin: I'll do it.

Rex: Yeah, please don't.

Martin: Rex.

Martin: Rex, why are you being obstructive?

Rex: I don't think I am.

Martin: It feels like it from where I'm standing.

Rex: What's going on here?

Martin: There's an issue.

Rex: Issue?

Martin: The fallen tree, the one in question.

Rex: Yes.

Martin: It was checked back in the spring.

Rex: Good.

Martin: And a follow-up recommended.

Rex: All right. When for?

Martin: The next few weeks.

Rex: Yes. It slipped off my list.

Martin: I'm sorry.

Rex: So the tree that almost killed a leading local businessman would weaker than it should have been?

Martin: Possibly.

Rex: Possibly?

Martin: It was a very heavy storm. The tree may have been fine. But we'll never know, will we? Because someone failed to book in a re-inspection.

Rex: That was me. I forgot.

Martin: Forgot.

Rex: I take complete responsibility.

Martin: Forgive me, Rex. Just at the moment, I'm not finding that much comfort.

Rex: Please don't say anything else.

Martin: I'm sorry.

Rex: No, no, no. I don't want to hear that.

Martin: I'm finding it hard to know how to respond, Rex. Because if I were to share how I'm actually feeling right now, they would be a loud, possibly obscene, and very violent confrontation. Which I think is best avoided, don't you?

Rex: Yes.

Martin: You do have the passwords, then. You can send me the documents.

Rex: Yes.

Martin: By two o'clock, please. I shall have to take this to the BL board.

Martin: I'd like you, Rex, and I like what you've done here. But you must see that this is potentially catastrophic.

Martin: Vince Casey could sue for hundreds of thousands of pounds. More if he doesn't walk again.

Rex: Sue BL, you mean, as land owners?

Martin: That all rather depends, Rex.

Rex: On what?

Martin: On what's in the contract with rewilding. I'll be in touch.

Rex: But Martin, what is in the contract?

Martin: I'll be in touch.

Rex: Oh, damn, damn, damn.

Scene 5

Rex: Helen?

Helen: No, sorry, I can't quite hear you. I have to see you, Helen. Can I come over now?

Scene 6

Keira: Here.

George: Feeling any better?

Keira: Not really.

George: Do you want a sandwich or something? Or a bit of toast?

Keira: Why is this you trying to be nice?

George: Maybe.

Keira: Why, it's not working.

George: I can see that.

Keira: So.

George: So what?

Keira: Why don't you want to go to school? Is someone bullying you? Is it because of a boy?

George: Oh, I see.

George: What? Oh, that's great, George. Absolutely great.

Keira: What do you mean?

George: Oh, my sister is upset, so it must be a boy. Oh, wait. Maybe it's her time of the month. Or maybe she's just hysterical and irrational. Girls are, aren't they?

Keira: Sorry, sorry. Honestly. I didn't mean it like that.

George: Well, try thinking before you open your mouth.

Keira: I said sorry.

George: OK. I just want to understand.

Keira: It's not just one thing. It's everything, everything on top of everything else.

George: OK.

Keira: I cope with school most of the time, don't I? I get myself there. I make it to the end of the day. I do my homework.

George: Sure.

Keira: The holidays. Well, I need the holidays, George. I need to, I don't know, refuel, recharge myself just so I can face going back in.

George: Is it the work?

Keira: Well, yeah. That's hard. Some of it's really hard.

George: I found that too.

Keira: But I'm thick.

George: You're not. You're not thick.

Keira: What about your mates? Henry and Khalil.

George: I mean your mates at school.

Keira: Exactly. Henry and Khalil. They're great. They get me.

George: You've got other mates?

Keira: People I know, not mates. I don't even like most of the merch.

George: I get through it because I can walk away and calm myself down, especially in the holidays, when I don't have to be anything.

Keira: So the extra class is...

George: Why do I need maths? I can add up and multiply and stuff. That's all I need. I've got a calculator on my phone if there is a problem. I don't need Venn diagrams or equations of working out how many empty small jars Julie has.

Keira: What?

George: It doesn't matter.

Keira: Who's Julie?

George: It was a homework question. It doesn't matter.

Keira: Well, science is stupid too. Who cares? History's the worst. Oh, I hate history so much. It's really upsetting.

George: History?

Keira: It's just people endlessly killing each other and taking stuff that doesn't belong to them and being hateful to everyone else. Really hateful. I'm going to get enough of that when I turn my phone on.

George: You see?

Keira: Yeah, I'll see.

George: Thing is, you have to go to school. You need your exams.

Keira: Everyone says that.

George: They're not making it up. Please don't do what I did.

Keira: Go to prison, no chance.

George: Keira.

Keira: What did you mean then?

George: I didn't listen in school. I thought it was a waste of my time. I thought I could blag my way through life. I only realised in prison how many opportunities I threw away.

Keira: Like I said, I'm thick.

George: Stop it, George.

Keira: I must be. To have thought I didn't need qualifications.

George: You've got a decent job.

Keira: Yeah, because of Amber's dad. Not because of me. If I don't get a proper job in farming, I'm going to have no chance in life, Keira. None. And that means Storm won't either. It's scary.

George: I hear what you're telling me and I understand the pressure you're under.

Keira: Well, enough of it anyway.

George: But please, please don't make your life any harder than it needs to be. Go to school. Stay and sit your exams. It'll be worth it.

Keira: You think?

George: I know it seems like a really long time until you can leave. But honestly, it isn't. Hang in there. Find a way.

Keira: I don't know if I can.

George: Maybe you'll surprise yourself.

Keira: What are you going to tell mum?

George: Well, it depends. Are you going back to school next week?

Keira: I suppose.

George: And you'll stick to it.

Keira: I said so, didn't I?

George: Then I'll tell mum you're puking your guts up when I got here.

Keira: Charming.

George: And I wouldn't drive you in case you were sick in the car.

Keira: All right. Deal?

George: Deal.

Keira: Hug.

George: Oh, no way. Look, I'd love a bit of toast.

Scene 7

Unknown / likely Helen and Rex: You have to tell Kirsty there's no alternative.

Unknown / likely Helen and Rex: I can't. There's no way she'd want you to get into trouble for her mistake.

Unknown / likely Helen and Rex: I called her straight after I called you.

Unknown / likely Helen and Rex: Did you say anything?

Unknown / likely Helen and Rex: No, no. I nearly let it slip. But then she told me the midwife was with her. She's being monitored daily now. Her blood pressure's through the roof. I can't put any more stress on her.

Unknown / likely Helen and Rex: What a mess.

Unknown / likely Helen and Rex: Look, I've told Martin I'm to blame. I'll just take the roller king from the BL board, leave Kirsty out of it completely.

Unknown / likely Helen and Rex: And have Vince sued?

Unknown / likely Helen and Rex: I don't know. I'll just have to hope for the best.

Ad break / promo text repeats.

Uncertainties

- “Leave it, George. I can give you a lift.” speaker at this point is unclear in the source; kept as Kira/George dialogue by context.

- – Speaker labels around “Martin” and “Rex” are inferred; the transcript’s turn-taking is noisy.

- “because she left it too long” may be slightly mistranscribed; meaning preserved as close as possible.

- “I really can.” appears to be a misrecognition or clipped turn; kept as supplied.

- “Tex for then.” is unclear wording; retained as [unclear: original wording] equivalent? Here preserved in cleaned form only as uncertain speech.

- “leading local businessman” and “would weaker” are likely recognition errors; context suggests “would have been weaker,” but exact wording is unverified.

- – The call with Helen is partial and speaker identities are uncertain.

- “most of the merch” is unclear; retained as supplied.

- – The “decent job” passage seems internally inconsistent, possibly misattributed or transcribed; review needed.

- – Final exchange has uncertain speaker identities and likely involves Helen, Rex, and Kirsty-related context, but the audio source is not verified.